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  <title>E-BOOK :</title>
  <subTitle>EVENTS DESIGN AND EXPERIENCE</subTitle>
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  <namePart>Graham Berridge</namePart>
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   <placeTerm type="text">USA</placeTerm>
   <publisher>Butterworth-Heinemann</publisher>
   <dateIssued>2007</dateIssued>
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 <note>Completing the final touches of this book coincided with the final of the FIFA 2006 World&#13;
Cup, the second biggest event in the world. According to most commentators the event was&#13;
organised wonderfully well with the whole of Germany and its’ host cities joining the celebration&#13;
and providing not only a football tournament but also a cultural festival par excellence.&#13;
Cities that hosted matches played their part with free festivals and exhibitions and the&#13;
whole event was, to coin a phrase, a true celebration of global football’s finest. The World&#13;
Cup also saw the real breakthrough of ‘vicarious events’ or ‘vicarious spectating’ with most&#13;
of the major cities showing the games live on large screens located in or around the main&#13;
city centres. In some places numbers watching these live transmissions were estimated at&#13;
over 50,000. Although not the first time this had happened the 2006 World Cup was the first&#13;
time it had been an integral part of the design of such an event. But then in the final&#13;
moments of the tournament itself a strange thing happened. With the World Cup Final&#13;
match between France and Italy concluded, the officials prepared the podium in the centre&#13;
of the stadium for the presentation of the winners and losers medals. France collected theirs&#13;
and Italy theirs and then, inexplicably, the proceedings stuttered. Fabio Canavarro, the Italian&#13;
captain, was left waiting almost in state of suspended animation as he prepared to act out&#13;
the final and pinnacle moment of the event, the lifting of the World Cup itself. The players&#13;
readied themselves for that moment of optimal pleasure, when as winners, they alongside&#13;
fellow countryman in the stadium and around the world watching on TV, would cheer in&#13;
exalted delight as the captain hoisted the trophy aloft. And they waited. And they waited a&#13;
bit more. Finally, in one of the most bizarre conclusions to a major sporting presentation,&#13;
an Italian squad member (believed to be the reserve goal keeper) sidled up to the trophy,&#13;
grabbed it and thrust it into Canavarro’s arms. He duly did the rest. After some 5 years of&#13;
planning and organising was this final act deliberately designed to unfold in this way? The&#13;
question we have to ask is: Was it really in the organisers’ mind to have this, the optimal&#13;
experiential moment of the World Cup for players and spectators alike, to be carried off in&#13;
such unbecoming circumstances? The hoisting of a trophy is the symbolic finale of many&#13;
such sports events and provides the conclusion to what has often been a long and arduous&#13;
endeavour by the players to reach this pinnacle of success. As such it should be seen as a key&#13;
experiential moment in the unfolding of the whole event, much like the ‘kiss’ after wedding&#13;
vows, and is therefore an occasion that should be carefully and deliberately designed since&#13;
it is providing the culminating and defining moment for the winners.</note>
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 <classification>658</classification>
 <identifier type="isbn">9780750664530</identifier>
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